Thursday, May 9, 2013

Senator McCain Introduces New “a la carte” Cable Bill

U.S. Senator John McCain (R-AZ) today introduced the Television Consumer Freedom Act of 2013, which provides consumers the ability to buy cable channels individually, also known as “a la carte,” giving Americans more control over their viewing options and, as a result, their monthly cable bill.

[ The full text of the legislation here. ]

Text of Senator McCain’s statement on the floor of the U.S. Senate introducing the legislation:

“Mr. President, today I am introducing the Television Consumer Freedom Act of 2013. This legislation has three principal objectives: (1) encourage the wholesale and retail ‘unbundling’ of programming by distributors and programmers; (2) establish consequences if broadcasters choose to ‘downgrade’ their over-the-air service; and (3) eliminate the sports blackout rule for events held in publicly-financed stadiums.

“For over 15 years I have supported giving consumers the ability to buy cable channels individually, also known as ‘a la carte’ – to provide consumers more control over viewing options in their home and, as a result, their monthly cable bill.

“The video industry, principally cable companies and satellite companies and the programmers that sell channels, like NBC and Disney-ABC, continue to give consumers two options when buying TV programming: First, to purchase a package of channels whether you watch them all or not; or, second, not purchase any cable programming at all.

“This is unfair and wrong – especially when you consider how the regulatory deck is stacked in favor of industry and against the American consumer. This is clear when one looks at how cable prices have gone up over the last 15 years, which is brought to light by the most recent Federal Communications Commission pricing survey.

“In this FCC survey, the average monthly price of expanded basic service for all communities surveyed increased 5.4 percent over 12 months ending January 1, 2011, to $54.46 compared to an increase of 1.6 percent in the Consumer Price Index. Over the last 15 years, this rise in costs becomes even more evident. According to the FCC, the price of expanded basic cable has gone up at a compound average annual growth rate of 6.1 percent during the period from 1995 to 2011. This means the average annual cable price has gone up from about $25 a month in 1995, to over $54 today.

“That’s a 100 percent price increase.

“But, those who provide video directly to consumers, like cable and satellite companies, are not solely to blame for the high prices consumers face today. Many articles have been written about the packages of channels, commonly called ‘bundles,’ sold to cable and satellite companies by video programmers like Comcast-NBC, Time Warner, Viacom and The Walt Disney Company, which owns 80 percent of ESPN. The ‘Worldwide Leader in Sports,’ as ESPN calls itself, thrives because of the advertising revenue it is able to generate and large subscriber fees.

“According to a January 2012 Newsweek article, ESPN charges roughly $4.69 per household per month citing research from SNL Kagan. By comparison, the next costliest national network, TNT, takes in $1.16 from about as many homes. So whether you watch ESPN or not, and admittedly I do all the time, all cable subscribers are forced to absorb this cost. For instance, because these channels are bundled into packages, all cable consumers, whether they watch sports or not, are paying for them anyway. Cable and satellite carriers that consider dropping ESPN must also contemplate losing other channels in the bundle, like the Disney Channel.

“Some have described this as a ‘a tax on every American household.’ Others, like the CEO of the American Cable Association, have said, ‘My next-door neighbor is 74, a widow. She says to me, “Why do I have to get all that sports programming?” She has no idea that in the course of a year, for just ESPN and ESPN2, she is sending a check to Disney for about $70. She would be apoplectic if she knew ... Ultimately, there’s going to be a revolt over the cost. Or policymakers will get involved, because the costs of these things are so out of line with cost of living that someone’s going to put up a stop sign.’

“Today, we’re putting up a stop sign.

“My legislation would eliminate regulatory barriers to a la carte by freeing-up multichannel video programming distributors (MVPDs) – like, cable, satellite and others offering video services – to offer any video programming service on an a la carte basis.

“Notably, my bill offers no mandates, regulations and is entirely voluntary.

“In order to give MVPDs an incentive to offer programming on an a la carte basis, the legislation links the availability of the compulsory copyright license to the voluntary offering of a la carte service by the MVPD. In other words, if the MVPD does not offer a broadcast station – and any other channels owned by the broadcaster – on an a la carte basis, the MVPD cannot rely on the compulsory license to carry those broadcast stations. The compulsory license is a benefit conferred on MVPDs. So, it’s reasonable to ask the recipients of that benefit to provide consumers with an a la carte option.

“To address the notion that a la carte options are being denied distributors, the legislation conditions important regulatory benefits (like, network non-duplication, syndicated exclusivity, blackout rights and retransmission consent option) on the programmer’s allowing MVPDs to sell their channels on an a la carte basis.

“It’s time consumers get something in return other than a higher bill at the end of the month.

“Furthermore, because not all programmers also own broadcast stations, the bill contains a provision that would create a ‘wholesale’ a la carte market by allowing programmers to bundle their services in a package only if they also offer those services for MVPDs to purchase on an individual channel basis. Thus, if a cable operator doesn’t want to carry channels like MTV, it would have the option of not doing so and only buying, and carrying, the channels it thinks its consumers want to watch.

“Finally, the bill provides that if the parties cannot agree to the terms of a carriage agreement, the final offer made by each side must be disclosed to the FCC.

“The second section of my bill responds to statements by broadcast executives that they may ‘downgrade’ the content on their over-the-air signals, or pull them altogether, so that the programming received by MVPD customers is preferable to that available over-the-air. Our country is facing a spectrum crunch, and if broadcasters who are using the public airwaves in return for meeting certain public interest obligations are going to deviate from those obligations, it is my view that we should consider if that is the most efficient use of our country’s spectrum. It would be a distortion of this basic social compact if over-the-air viewers were treated as second-class citizens. This bill provides a legislative response if broadcasters either downgrade their signal or pull it altogether. The bill provides that a broadcaster will lose its spectrum allocation, and that spectrum will be auction by the FCC, if the broadcaster does not provide the same content over the air as it provides through MVPDS.

“Finally, my bill touches on ‘sports blackout’ rules that can limit the ability of subscribers to see sporting events when they take place in their local community but are not broadcast on a local station. When the venues in which these sporting events take place has been the beneficiary of taxpayer funding, it is unconscionable to deny those taxpayers who paid for it the ability to watch the games on television when they would otherwise be available. Therefore, the bill proposes to repeal the sports blackout rules insofar as they apply to events taking place in publicly financed venues and/or involve a publicly financed local sports team.

“In the end, the Television Consumer Freedom Act is about giving the consumer more choices when watching television. It’s time for us to help shift the landscape to benefit television consumers. Now I know the broadcasters and cable companies are likely to suggest that the government should not micromanage how they offer their product to customers and that bundling can promote diverse offerings. What those interests will fail to mention, is that the government has already entered the marketplace, and conferred certain rights and privileges like the compulsory license, network nonduplication, syndicated exclusivity and retransmission consent, which stack the deck in the favor of everyone but the American consumer.

“I hope the introduction of the Television Consumer Freedom Act furthers the debate on issues like a la carte channel selection and I look forward to the Senate’s consideration of the bill.”

Thursday, March 14, 2013

The Veronica Mars Movie Project (while supplies last)

Breaking records for the social fundraising website (www.kickstarter.com) the folks behind Veronica Mars created a fundraising project to bring the cult following television show Veronica Mars to the big screen. The project raised over two million dollars in less then twenty-four hours after it went live on the internet. The project will be closed for any further contributions on April 12, 2013. Here is where they currently lie with the amount raised for the cost of production.

 

If you would like to donate money toward the project then visit the following Kick Starter webpage for the project before the April 12th deadline: http://kck.st/Z1HJRR

Sunday, February 24, 2013

Season 3 Trailer for HBO's show "Game Of Thrones"

After months of teasers, behind-the-scenes featurettes, still images, and posters, we finally have our first real look at some footage from the third season of the HBO fantasy series, Game of Thrones. A new trailer premiered on Jimmy Kimmel Live last Friday night (February 22nd) and it contains promising new peek at what fans can expect from the new show. I must disclaim that I have not watched a single episode of the show yet. Shocker! I am still holding out for the opportunity to read the first four books in paperback and even the fifth book that was just released in hardcover before I move on to watching the first season and season season on Blu-ray. The third season of the show is slated for a premiere date of March 31st at 9PM on HBO.

Saturday, February 23, 2013

Marc Silvestri, a comic book artist tribute video

For those who are unfamiliar with the name of comic book artist Marc Silvestri should check out this video of the first twenty years of his career. The video is short and sweet (about seven to eight minutes in length). He is part owner of Image Comics, which publishes The Walking Dead comic book series. He also created the characters of "Darkness" and "Witchblade" (a personal favorite).

Saturday, July 21, 2012

Fan Fiction: Fifty Shades of Copyright Infringement

What is "fan fiction" exactly? According to the website, Urban Dictionary, it is: "A fandom tool, which allows fans of books, television shows, anime and the like to write about their favorite characters. Fan Fiction (shortened mostly to Fan Fics) is represented on many websites, the most dominant being Fanfiction.net and MediaMiner.org. In Fan Fiction, the writer can either create a story from where the series/episode/book left off (Cannon); create a new world for the same characters (Alternative Reality); or mix characters together from different fandoms (Crossover). Fan Fictions cover all genre, from romance, horror, comedy, to what is known as Hentai (Japanese word, for stories of a sexually mature nature). The fan fiction world is full of a mixture of unreadable, badly written, good and excellent fiction; much like the music industry and its varying degrees of music quality. Some Fan Fiction authors employ betas, to edit their work for them.

"It takes a big studio to make The Avengers, but it doesn't necessarily take a big studio to write a piece of Avengers fan fiction," says Georgetown University law professor and fan fiction advocate Rebecca Tushnet. "Big content companies largely recognize that fan activities are really good for them because they engage people."

The growing popularity of fan fiction, a genre in which fans create their own stories featuring characters or settings from their favorite works of popular culture, raises thorny copyright issues. "Given how broad copyright is now, it's now possible to say fan fiction is an infringing derivative work," Tushnet explains. "In order to deal with that... we now talk about fair use, which allows people to make fair, limited uses of works without permission from the copyright owner."

As a member of the Organization for Transformative Works, Tushnet works to defend fan fiction creators caught in the legal debate between protected intellectual property and fair use.

Nick Gillespie (Reason.TV) sat down with Tushnet to discuss copyright law, fan fiction, and why media companies should embrace fan-created works.